Enjoy Michael Jackson in 1984, several months before he completed the writing of "We Are the World"
Before the writing of "We Are the World", American entertainer and social activist Harry Belafonte had sought for some time to have a song recorded by the most famous artists in the music industry at the time. He planned to have the proceeds donated to a new organization called United Support of Artists for Africa (USA for Africa). The non-profit foundation would then feed and relieve starving people in Africa, specifically Ethiopia, where around one million people died during the country's 1984–1985 famine.[1][2] The idea followed Band Aid's "Do They Know It's Christmas" project in the UK, which Belafonte had heard about.[nb 1][4] In the activist's plans, money would also be set aside to help eliminate hunger in the United States of America. Entertainment manager and fellow fundraiser Ken Kragen was contacted by Belafonte, who asked for singers Lionel Richie and Kenny Rogers—Kragen's clients—to participate in Belafonte's musical endeavor. Kragen and the two musicians agreed to help with Belafonte's mission, and in turn, enlisted the cooperation of Stevie Wonder, to add more "name value" to their project.[1] Quincy Jones was drafted to co-produce the song, taking time out from his work on The Color Purple.[1][5] Richie also telephoned Michael Jackson, who had just released the commercially successful Thriller album and had concluded a tour with his brothers.[1]
Jackson revealed to Richie that he not only wanted to sing the song, but to participate in its writing as well.[1][6] To begin with, "We Are the World" was to be written by Jackson, Richie and Wonder. As Wonder had limited time to work on the project, Jackson and Richie proceeded to write "We Are the World" themselves.[6] They began work on the song's creation at Hayvenhurst, the Encino home of Jackson and his family. For a week, the two spent every night working on lyrics and melodies in the singer's bedroom. They knew that they wanted a song which would be easy to sing and memorable. The pair wanted to create an anthem. Jackson's older sister, La Toya, watched the two work on the song, and later contended that Richie only wrote a few lines for the track.[5] She stated that her younger brother wrote 99 percent of the lyrics, "but he's never felt it necessary to say that".[5] La Toya further commented on the song's creation in an interview with the American celebrity news magazine People. "I'd go into the room while they were writing and it would be very quiet, which is odd, since Michael's usually very cheery when he works. It was very emotional for them."[6]
Richie had recorded two melodies for "We Are the World", which Jackson took, adding music and words to the song in the same day. Jackson stated, "I love working quickly. I went ahead without even Lionel knowing, I couldn't wait. I went in and came out the same night with the song completed—drums, piano, strings, and words to the chorus."[7] Jackson then presented his demo to Richie and Jones, who were both shocked; they did not expect the pop star to see the structure of the song so quickly. The next meetings between Jackson and Richie were unfruitful; the pair did not produce any additional vocals and got no work done. It was not until the night of January 21, 1985, that Richie and Jackson completed the lyrics and melody of "We Are the World" within two and a half hours, one night before the song's first recording session.[7]
Recording sessions
The first night of recording, January 22, 1985, had tight security on hand, as Richie, Jackson, Wonder and Jones started work on "We Are the World" at Kenny Rogers' Lion Share Recording Studio. The studio, on Beverly Boulevard in California, was filled with musicians, technicians, video crews, retinues, assistants and organizers as the four musicians entered. To begin the night, a "vocal guide" of "We Are the World" was recorded by Richie and Jackson and duplicated on tape for each of the invited performers. Only 2 artists are said to have not accepted the invitation - they are Donna Summer and Prince. The guide was recorded on the sixth take, as Quincy Jones felt that there was too much "thought" in the previous versions.[8]
Quincy Jones was a key figure in the production and recording of "We Are the World".
Following their work on the vocal guide, Jackson and Jones began thinking of alternatives for the line "There's a chance we're taking, we're taking our own lives": the pair were concerned that the latter part of the line would be considered a reference to suicide. As the group listened to a playback of the chorus, Richie declared that the last part of the line should be changed to "We're 'saving' our own lives", which his fellow musicians agreed with. Producer Jones also suggested altering the former part of the line. "One thing we don't want to do, especially with this group, is look like we're patting ourselves on the back. So it's really, 'There's a choice we're making.'"[9] At around 1:30 am, the four musicians ended the night by finishing a chorus of melodic vocalizations, including the sound "sha-lum sha-lin-gay".[9] Jones told the group that they were not to add anything else to the tape. "If we get too good, someone's gonna start playing it on the radio", he announced.[9]
On January 24, 1985, after a day of rest, Jones shipped Richie and Jackson's vocal guide to all of the artists who would be involved in "We Are the World"'s recording. Enclosed in the package was a letter from Jones, addressed to "My Fellow Artists":[9]
The cassettes are numbered, and I can't express how important it is not to let this material out of your hands. Please do not make copies, and return this cassette the night of the 28th. In the years to come, when your children ask, 'What did mommy and daddy do for the war against world famine?', you can say proudly, this was your contribution.[9]
Ken Kragen chaired a production meeting at a bungalow off Sunset Boulevard on January 25, 1985. There, Kragen and his team addressed where the song would be completed by the supergroup of musicians. He stated, "The single most damaging piece of information is where we're doing this. If that shows up anywhere, we've got a chaotic situation that could totally destroy the project. The moment a Prince, a Michael Jackson, a Bob Dylan—I guarantee you!—drives up and sees a mob around that studio, he will never come in."[9] On the same night, Quincy Jones' associate producer and vocal arranger, Tom Bahler, was given the task of matching each solo line with the right voice. Bahler stated, "It's like vocal arranging in a perfect world".[9] Jones disagreed, stating that the task was like "putting a watermelon in a Coke bottle".[9] The following evening, Lionel Richie held a "choreography" session at his home, where it was decided who would stand where.[9]
The final night of recording was held on January 28, 1985, at A&M Recording Studios in Hollywood, California.[3][9] Michael Jackson arrived at 9 pm, earlier than the other artists, to record his solo section and record a vocal chorus by himself.[9] He was subsequently joined in the recording studio by the remaining USA for Africa artists, which included Ray Charles, Billy Joel, Diana Ross, Cyndi Lauper, Bruce Springsteen and Smokey Robinson. Also in attendance were five of Jackson's siblings: Jackie, La Toya, Marlon, Randy and Tito.[10] Many of the participants came straight from an American Music Award ceremony, which had been held that same night.[5] Invited musician Prince, who would have had a part in which he and Michael Jackson sang to each other, did not attend the recording session.[11] The reason given for his absence has varied. One newspaper claimed that the singer did not want to record with other acts.[12] Another report, from the time of "We Are the World"'s recording, suggested that the musician did not want to partake in the session because organizer Bob Geldof called him a "creep".[13] Prince did, however, donate an exclusive track, "4 The Tears In Your Eyes", for the We Are the World album.[12] In all, more than 45 of America's top musicians participated in the recording, and another 50 had to be turned away.[11][14] Upon entering the recording studio, the musicians were greeted by a sign pinned to the door which read, "Please check your egos at the door".[15] They were also greeted by Stevie Wonder, who proclaimed that if the recording was not completed in one take, he and Ray Charles, two blind men, would drive everybody home.
Coppied by http://en.wikipedia.org/wiki/We_Are_the_World
